In 1985, the folks at Orion (today Sony Picture Classics) were trying to figure out how to market Akira Kurosawa's 'Ran' to US audiences. Co-founder and co-president Michael Barker remembers clearly how he and co-founder / president Tom Bernard saw the dilemma: they thought this was a film that could really appeal to young audiences yet, Barker recalls, 'at the time, young audiences wouldn't go to subtitled films.' So they did something that was so brilliantly obvious that it's hard to believe it wasn't already commonplace, something that instantly became the norm: they had a trailer made for 'Ran' that omitted the Japanese and thus rendered subtitles unnecessary. They marketed the film, in other words, with the hope that it might be mistaken for an English language picture. 'We knew that if we could just get them into the theater, then they'd love the film,' says Barker. Art house distributors had adopted the retailers' bait-and-switch tactics, and they were working.05 June 2010
Subtitles and Film Marketing for US Audiences
In 1985, the folks at Orion (today Sony Picture Classics) were trying to figure out how to market Akira Kurosawa's 'Ran' to US audiences. Co-founder and co-president Michael Barker remembers clearly how he and co-founder / president Tom Bernard saw the dilemma: they thought this was a film that could really appeal to young audiences yet, Barker recalls, 'at the time, young audiences wouldn't go to subtitled films.' So they did something that was so brilliantly obvious that it's hard to believe it wasn't already commonplace, something that instantly became the norm: they had a trailer made for 'Ran' that omitted the Japanese and thus rendered subtitles unnecessary. They marketed the film, in other words, with the hope that it might be mistaken for an English language picture. 'We knew that if we could just get them into the theater, then they'd love the film,' says Barker. Art house distributors had adopted the retailers' bait-and-switch tactics, and they were working.16 May 2010
Anthropological and Ethnographic Films
Anthropology has a long checkered past. On the dark side, its associations with empire, colonialism and the missionary enterprise are well documented. As this legacy took shape, early anthropologists insisted that their scientific enterprise increased knowledge of other peoples and that their work played a role in 'salvaging' the remains of supposedly dying cultures, which were deemed valuable as vestiges of the past of the modern societies within which anthropology arose. The evidence of these salvage operations fills many museums today. It took some time for anthropologists to turn their attention away from collecting artifacts (which sometimes included human remains) to asking questions about cultural survival. Despite the persistence of its dark side through much of modern history, at its best anthropology remains one of the few academic disciplines that takes seriously the ways of living and ways of knowing of other peoples. Contemporary Anthropologists immerse themselves in cultures other than their own, learning languages and lifestyles in far more depth than tourists and adventurers, and many continue to grapple with issues of representing peoples and cultures, which has made anthropology more self reflective than most other academic disciplines, building into itself the possibility of reform.19 April 2010
Aljazeera Documentary on Drug Addiction in Gaza
Following the December 2008 Israeli offensive, a United Nations survey of Gaza residents found increases in risk taking behaviour, including a significant rise in cases of drug addiction. One drug associated with this trend is Tramadol, first developed in Germany during the 1970s and introduced in the 1990s as a centrally acting analgesic with properties similar to codeine and morphine and which is widely prescribed as a pain killer. Although illegal without a prescription in some regions, Tramadol is relatively easy to obtain in Gaza, either with fake prescriptions from pharmacies or on the black market. News reports prior to the 2008 offensive suggested that up to 30 percent of males between the ages of 14 and 30 had already been using Tramadol on a regular basis, with some 15,000 showing signs of addiction. The escalation of this problem since then was documented by the Aljazeera English satellite television channel in its recently aired program ‘Uncomfortably Numb.’Notes on the BBC Feature 'How Mad Are You?'
‘How Mad Are You?’ is a two part 2008 BBC Horizon/Discovery Channel Co-Production produced and directed by Rob Liddell. The program explores the relationship between character traits and mental illness and considers the social implications of inaccurate diagnosis of the latter. Ten volunteers, five of whom have been previously diagnosed with psychiatric disorders, are observed and interviewed by a panel of three mental health experts who then venture their diagnoses. The experts include a psychiatrist, a professor of clinical psychology, and a psychiatric nurse. The volunteers and experts have no prior knowledge about one another, and were brought together for this one week study.
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